Comet

Born in the crucible of the centuries-old “lost wax” casting method, a bronze and silver plate rides on a pink granite stella.  The acclaimed sculptor Max DeMoss reflects his three decades of learning and technical mastery in a process where perceptible gaps and seams intentionally reference the age-old “lost wax” process. It invites the viewer’s eye and mind. “In my work, I introduce line to reflect the process of creation, and to add thoughtfulness and depth to each piece.” DeMoss’s work comes alive specifically because each piece is broken open, letting in light and space, subtly informing the observer of its origin. The sculptural fragmentation implies motion, suggesting the transition from the artist’s imagination to reality. “It caught our eye because of the turquoise center of the platter and the fiery molten flame shooting off to the right”, said Nancy Harrington. “It looks like a comet.”

“Comet” is a result of the partnership between the Pleasanton Leadership Class of 2012 and “Harrington Art Partnership Piece for You” (H.A.P.P.Y) and was installed in 2012 at the Firehouse Center, 444 Railroad Ave., at the rear entrance to the Firehouse Arts Center.

Jan Coleman-Knight